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When I got my NEC display, I decided to give the factory profile a try. I think that the accuracy of the factory profile proably varies depending on the source. You really need to read the linked articles. Photo print labs that demand sRGB for output The future of sRGB and wide gamut display technology
Best printer for mac 2017 how to#
How sRGB doesn't insure a visual match without color management, how to check When to use sRGB and what to expect on the web and mobile devices In this 17 minute video, I'll discuss some more sRGB misinformation and cover: Not unless you're posting to the web and mobile devices that may not support color management in which case, what you and other's see is a crap shoot. Likewise, in your editing program, you might work in the sRGB color space. įor instance, if you are selecting on your camera to produce out-of-camera jpegs, you might select the color space of sRGB. These are two distinctly different items with distinctly different uses. SRGB is a Color Space, not a Color Profile. I also recommend Mr Rodney's site at Digital Dog.
It's complex and not something that is easily explained in a web post.
Google these terms and look at some of the articles.
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It's close enough for government work, and it's free Pending further research, set your monitor for it's default of Color LCDand press on.
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Profiling your monitor requires a device such as the excellent x-rite i1Display Pro or the ColorMunik. On the other hand, you would calibrate and profile your monitor as steps in implementing a color managed workflow. Or maybe not You really need to read the linked articles.
You are about to fall down the Alice in Wonderland rabbit hole This is where my concern is - which one do I use to achieve the highest level of color consistency across different displays (when viewed by my audience)? How do you recommend I calibrate the display? Thank you.īut from a photography perspective, shouldn't I be using the sRGB profile (found under Display settings in System Preferences) to maintain consistency with my camera and LR's sRGB settings?Īlso, Color LCD produces very unsaturated colors compared to sRGB, and the two profiles produce very different versions of the same photo. The real improvement is calibration and use that profile. but a custom profile generated for your screen at those specifications will be very good. If you are preparing photos for a D50 printing standard at 100cdm luminance, the Color LCD profile will be off. The other advantage of generating your own profile is you can customize the calibration target for your purposes. But it might not match what you use your MacBook Pro for. The other factor is, does the profile match your type of output? The Color LCD profile was generated based on some standard Apple used at the factory. This is why it is best to buy or borrow a profiling instrument and use it on your own computer to generate your own customized profile.
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The main factor is: Was it generated on your specific panel? Since there are factory variations in manufacturing, if you download a MacBook Pro profile made by someone else, it might not match your unit. It should make good results, but generating a profile for your specific panel will yield even more accurate results.Īlso, what factors should I consider when selecting a color profile? Does this provide the most accurate colors for processing photos? If not, which one do you recommend I use?Ĭolor LCD is the factory profile for that model. The color profile on my MacBook is set to Color LCD by default.
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